It is part of a larger project that considers the problems first raised or explicated in modern cinema, inaugurated by Italian neo-realism in the forties, and the continued relevance of these problems for contemporary filmmakers working outside the channels of mainstream narrative. This essay will explore the theme of “distance” via the theories of perception, time and memory developed by the French philosopher Henri Bergson, particularly in his work Matter and Memory (first published in 1896). Suspended Meaning: On Bergson and Cinematic Perception
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